By Fred Eversley
This project advances the artist’s remarkably innovative work in the graphic arts, and exemplifies his ongoing interest in making a kinetic experience in a form that is otherwise non-kinetic. As the two-dimensional print on clear polyester film is transformed into a three-dimensional work, the project’s metaphysical complexity, composition, and shifting physicality are intensified. In sculpting the principal element of Untitled, while the print, itself, is turned into a concave shape, an hourglass is produced by two concave lines. Movement and variations in transparency abound in this lyrical project that evokes the artist’s luminous cast polyester lenses.