By Fred Eversley
In the artist’s aqueous Untitled, an image of a grid bends. The grid is simultaneously a wall of windows, and the metaphoric distortion of this primary visual structure indicates a suspension of predictable expression. In this fluid and strikingly colorful world, up is down and the other way around. This exemplary project continues Fred Eversley’s ongoing interest in creating a kinetic experience in a form that is otherwise non-kinetic. Because it was created to have more than one orientation, Untitled is also comprised of a unique hanging system that allows for it to be presented in multiple ways.